Daniel Libeskind designed the new extension by cutting a wedge through the structural order of the arsenal, giving the museum a place for reflection about organized violence. This wedge creats an objective view to the continuity of military conflicts and opens up vistas to central anthropological questioning.

The new extension gives a fundamental re-orientation to the existing building. It opens up the view to the historical center of Dresden. The wedge soars above the roof of the existing building, creating an image of modernization to the outside world and offering the opportunity to experience the opening to the city.

The new façade is being conceived against the background of the existing building, in response and contrast to it. The openness and transparency of the new façade stands against the opacity and solidity of the old façade. As one represents the severity of the authoritarian past in which it was built, the other reflects the openness of a democratic society and the changed role of its military. In the new elevation of the Museum both are visible at the same time and one through the other. This correlation corresponds to the juxtaposition of new and old in the building’s interior; the rigid column grid of the old Arsenal is contrasted with a new column of free space.  The interplay of both together forms the character of the new Military History Museum.